Sunday, December 1, 2013

Reading Lists


Well, my first semester is a few days from being officially over.  So, here's what I read this semester.  Here's what I'm looking forward to reading "for fun" over my winter break.  And, here's what I'm tentatively reading next semester.

*sorry, this list isn't in MLA format, I didn't feel like italicizing the titles...



"I fucking love reading." -the Mushing Mortician

1st Semester

Palm-of-the-Hand stories by Yasunari Kawabata
Enormous Changes At The Last Minute by Grace Paley
The Things They Carried by Tim O’ Brian
The Toughest Indian In The World by Sherman Alexie
What We Talk About When We Talk About Love: Stories by Raymond Carver
Love Medicine by Louise Erdrich
A Good Day to Die by Jim Harrison
Once There Was A War by John Steinbeck
Dispatches by Michael Herr
And No Birds Sang by Farley Mowat
Thin Red Line by James Jones
Back in the World: Stories by Tobias Wolff
Drown by Junot Diaz
Writing Fiction: A Guide to Narrative Craft (8th Edition) by Janet Burroway
The Loneliest Road in America by Roy Parvin
Reading like a writer by Francine Prose
Writing in General and the Short Story in Particular
The Naked and The Dead by Norman Mailer by L. Rust Hills
A Rumor of War by Neil Caputo
Someone To Watch Over Me:Stories by Richard Bausch



Winter Break

Storm Riders by Craig Lesley
Goat Mountain by David Vann
Leaving Las Vegas by John O' Brien
Blood Meridian by Cormac Mccarthy
The Land of Little Rain by Mary Austin
Red Moon by Ben Percy



2nd Semester


      1.     The Yellow Birds by Kevin Powers
2.     11 Days by Lea Carpenter
3.     Sparta by Roxanna Robinson
4.     A Good Scent from a Strange Mountain: Stories by Robert Olen Butler
5.     Paco’s Story by Larry Heineman
6.     Northern Lights by Tim O’Brien
7.     Going After Cacciato by Tim O’ Brien
8.     In Pharaoh’s Army by Tobias Wolff
9.     Homage To Catalonia by George Orwell
10.  Rock Springs by Richard Ford
11.  Welding With Children: Stories by Tim Gautreux
12.  All Other Nights by Dara Horn
13.  Caribou Island by David Vann
14.  The Last Report on the Miracles of Little No Horse by Louise Erdrich
15.  Collected Stories by John Cheever
16.  Tree of Smoke by Denis Johnson
17.  Jesus Son by Denis Johnson
18.  Across the River and into the Trees by Ernest Hemingway
19.  Going To Meet the Man by James Baldwin
20.  The Death of Sweet Mister by Daniel Woodrell

Friday, September 20, 2013

How to write a short story (according to Kurt Vonnegut)

Kurt Vonnegut - Eight Tips on How to Write a Good Short Story!

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them-in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

Wednesday, September 11, 2013

Sept. 11


Why can’t we live

            forever in the ethereal
shadow of juvenile disbelief?

Lofted upon clouds of hope,
innocently unknowing
what lives in the shadows.

But:
Are we ever unaccountable of our own sin?
When does our innocence turn to ignorance?

An awakening; fruitions of a new world:
Oklahoma City. Kaczynski.
Columbine. Waco.
African Embassies.
Dahmer. Desert Storm.
O.J. Rodney King. L.A. Riots.
Twin Towers Part One.
Hale Bopp & Heavens Gate.
Cobain.

But, look not to deicide or inaction.
Share. Respect. Educate. The battle
over ignorance is merely in the
depth and extent of your reach.



-------------

Childhoods are full of memories like capturing fireflies on a summer evening, the first snow that cancels school, or the first girl (or guy) that struck your fancy.  But there is also a moment of memory when something happened, a chord that changes how the world resonates around you. 

Thoughts on explaining epic trauma to students always evokes personal memories of your own experience, that: where was I when this happened, feeling.  But also cognition of even earlier awakenings of first evil. 

Somewhat inspired by this CNN story: Teaching my child...

Sunday, September 8, 2013

Untitled (Jim & Joshua)


Untitled (Jim & Joshua)

They told me I’d get a country-fried steak
If I just sat still beside him.  Pancake
Sliced, tenderized, battered and fried,
Smothered in gravy.  So good I’ll need
The cigarette before I said to Ma. But
The Rooster came from uncle’s flock.
Jim (the rooster), Joshua (me), two
Polygamous kings of the roost,
Stealing a stare, perched atop the world.

Friday, August 30, 2013

Where is Yakutat?


Where is Yakutat?


Tucked into the forelands, nestled between Sitka Spruce,
Raven and Eagle share with Glacier Bear and Black-tailed Deer.

Without fog, eighteen thousand vertical feet of relief is revealed
On the eve of sunrise, cast in pink, purple, and fiery red-orange

Begets the Coho in the last days of life upon the pebbles
Of the Sitak and the Ahrnklin Rivers, fighting currents.

I ask him What is there to do for fun in Yakutat? Drink, he
Casually admits, and I remember, that’s the same thing we do

For fun in every other hamlet called home, as we’re all left
Alone strumming the chords of our own panoramic hinterland.


Dendrometric Transect


Dendrometric Transect


9 point 2. 3 point 7. 6 point 9.
The graduated metallic tape
Calibrated to 3 point 1 4 is
Held with thumb and index finger,
Using both hands, slipped behind
The girth of her trunk measuring
Diameter at breast height—
As if you’re taking her bra off.
From her rings you know
She’s only 19, but through
The fog, with no fire, you leave
Her and reach for another.




















Photo by Amanda Byrd, UAF ACEP, as seen on FaceBook.

Your Resources


Your Resources

Hemlock and Sitka Spruce stand
dozens of board feet upward,
pointing to the heavens,
pointing to raven and eagle,
where the clouds forget your name,
darkening Disenchantment Bay.



Sunday, August 11, 2013

Saturday, July 20, 2013

Fear

Fun with borrowed forms, false documents.  I'm so glad Rob taught a class on a what he calls False Documents.  Valerie Laken gave a very similar craft talk at the residency, calling it On Borrowed Forms.  A simple definition would be presenting prose, or poetry, through some guise or rhetorical faux mode.  I feel the visual presentation is as much a part of the ruse as the content, so there is an image version below.  Note: this poem is still in a some stage of revision.  




New American Dictionary
(Definition of Fear)

fear |ff`ear  |
noun
1. a sense of emotion arising from the nape of one you attempt to intimidate. 2. an unpleasant emotion caused by the belief that someone or something is dangerous. 3. likely to cause pain. 3. a bitter smell usually tasted at the back of the throat in the form of dryness. 4. George Bush Junior’s missile defense network. 5. the absence of something you possessed the night before. 6. usually evoked instantaneously by an outside agent. 7. Dick Chaney on a quail hunting excursion. 7. the nightly news. 8. waking up older than the day before. 9. the IRS. 10.  when the lights go out






Fredericksburg Haibun

This poem was inspired by a poem by Robert Hass, On Visiting The DMZ at Panmunjom: Haibun.  His poem reminded me what its like to visit, and grow up on and around battlefields.  The quantity of lives lost is a rich reminder at the start of his prose.  I  like how the haiku is a shift from man's destruction to the harmony of nature.  



Fredericksburg Haibun

Union Yank encampments were north of the Rappahannock, a brown murky river flowing west to east.  The town sits on the fall line: the tidewater to the right, the piedmont to the left. A dot upon the map General’s Lee and Burnside poured upon hourly, yet separated from one another not only by the river but the color of their uniform.  Confederate Reb cannon’s and trench’s were dug into Marye’s Heights, granting over-watch of the once beautiful city, now occupied by snipers hiding within dilapidated churches firing from steeples on an enemy, once countrymen, struggling to construct pontoon bridges in the cold month of December.  Upon finally gaining a foothold in the city, brief urban combat ensued in the streets but the majority of gray dressed forces settled in behind a stonewall and from positions on the heights south west of the city.  Fourteen times men dressed in blue charged the stonewall and fourteen times they were repelled.  Thirteen of those times men charged over the bodies of their comrades at the stone wall, most falling themselves, building what must have looked like a wall of corpses.

Bones and bullets buried
beneath shopping malls, soil no
longer stained with blood.






Friday, July 19, 2013

"... here is where the world ends, every time."

If you're not familiar with Brian Turner, you should be.  Turner, in my opinion, captures the essence of the many emotions a Soldier feels in combat.  I've read quite a bit of literature stemming from armed conflict over the last couple hundred years, my hope is we'll be reading Turner's poems in school fifty years from now when we talk about the nearly decade long war in Iraq.

"... here is where the world ends, every time." is the last line of his poem, "Here, Bullet."



This is an hour long interview.  I think the interviewer is annoying, but Turner's responses are candid and spot-on.  He talks a lot about identity.  Meaning, what it was like being a poet, and, Soldier.  I loved his response to a question about Brian the poet and Sgt. Turner the squad leader.  He also talks about how the war improved his writing- what do you think?


Wednesday, July 17, 2013

Fairbanks Summer Arts Festival


I'm having a blast at the Fairbanks Summer Arts Festival this week.  I was very hesitant at first to sign up for a two week long workshop.  Last week I struggled over the money and the time.  After finally settling into a nice routine of writing, running, and reading- I upset that routine with the final decision to attend the creative writing portion of the FSAF: no regrets.  The compromise was I signed up for just the first week.  It's been great.  I get to work with: Peggy Shumaker, a poet whose work I greatly admire and quickly learned to love after moving to Alaska but with a new appreciation I've found her stuff transcends just the Alaska experience and speaks to many feelings and issues in the world and in ourselves;  Daryl Farmer a writing teacher I've had the honor of working with the past two semesters at UAF, a fantastic teacher who always has something to teach you through examples of what good writing is, along with inquiry and just the right prompting; and two new teachers Rob Davidson (fiction) and Jeanne Clark (poetry), both from Chico State, and both spectacularly insightful teachers, writers, and warm people to have around.  Rob has showed me the power of good exposition, I can't wait to have a conference with him Friday.  And Jeanne has taught me several new forms (some which might appear on the blog once I do a little revision).

It's also been great getting to know more writers from the Fairbanks community.  Despite being at all levels of writing in our lives, it has been a great time of sharing.

Friday, July 12, 2013

"...discover your voice in what you like..." -Tobias Wolff

"... if you're constantly digging into your self to find your self, you're just going to create a whole you'll fall through..." -Tobias Wolff

This week I'm reading Back In The World: Stories, by Tobias Wolff.  I'm a little embarrassed to say this is my first time reading his work, but it certainly will not be the last.  His content, the stories in this collection, get at the heart of what I'm interested in writing.  Normal people living in a normal world.  That's an understatement, because who is to say what is normal?  I don't read mass market stuff.  But my impression of 'mass market stuff' is that its characters are, despite some trigger to start the story, meant to live on a pedestal.  The characters of back in the world are people we pass on the street, maybe even people we know, but are never allowed inside their head- with Wolff at the pen, we're allowed to know their deepest desires and in end feel deep empathy for them.  

The first clip has a sucky interviewer, but Wolff rises to the occasion and eloquently finishes her questions with astounding answers.  

At 4:00 there's a great conversation on finding your voice.

At 13:00 he talks at length on Hemingway as multifaceted inspiration.

At 20:00 he talks about teaching writing and makes a funny quip about Cormac Mccarthy.

The interview is concluded with "Why is art is essential?" at 25:30



This is a super short conversation on the vitality of a short story.

Thursday, July 11, 2013

Big Think Interview With Tim O'Brien

You can tell I'm procrastinating on a writing piece by watching YouTube videos, but hey, at least it's better than the black hole of FaceBook.  

This is the last clip/video I'll share.  The first clip is 4 minutes long and very motivating.  Tim is talking about why he became a writer, and what power a veteran writer has.  The long video is the complete 45 minute interview with great comments on the voice of a writer and his craft
Last night Gretchen noticed I was reading The Things They Carried.  I've been reading and rereading it all week. She asked, "Haven't you read that before." "Yes," I said. "But never as a graduate student."

"I think of myself as a peace writer..."

After sharing two videos in the previous blog post, a friend shared this amazing clip.

Wednesday, July 10, 2013

"Literature is not a lap dog..." - Tim O' Brien

"Literature is not a lap dog... it's a way of opening doors and overcoming the silence (of war) that occurs." -Tim O' Brien

{Disclaimer} Tim O' Brien is my favorite writer, I idolize not only his prose, but his recollection and hypothesis of the combat experience in the fiction narratives he crafts. I've read most of his novels and story collections numerous times.  I can no longer keep track of how many times I've read The Things They Carried.  I poured over this collection of stories as an immature, naive high school student, as a curious college student about to embark on the adventure of combat, and as a jaded post-war veteran.  No matter how many times I read "On The Rainy River" and "Speaking of Courage" I weep in the end. I cherish his work.  If I could capture a fraction of his intellect and style in my own work, I would be euphoric.  

Reading as a writer is a new voyage.  Here are some interviews/discussion I dug up to better understand his work.

A conversation with Tobias Wolff on Writing & War at Stanford University.

Here's a few highlights:

"I wrote my work out of bitterness and hatred..." 17:20

(Paraphrased) Not many people worry about not finding weapons of mass destruction in Iraq (21:45)

Discussing the cliches risen from some war stories 41:00

Discussing the memories of combat 46:00

Questions start from the audience at 57:00

There's an amazing response by Tim around 111:00 on PTSD.



How To Write A War Story
"You have to pick the times not to be scared."

"Every writer has to suffer some wound."

An older documentary not only highlighting the craft of Tim O' Brien, but Richard Bausch, Philip Caputo, and Carolyn Forche

Tuesday, July 2, 2013

Getting Published

Well, I'm being published soon.  That sounds so pretentious to say.  I revised and submitted three poems from April to the literary journal O-Dark-Thirty.  They chose to publish one in the forthcoming August edition of their quarterly journal.  I won't tell you which one, because you can barely recognize it in its revised state.

For fun, here is the bio I sent to accompany my piece.   Author's bios are always written in the third person.

If you've never heard of O-Dark-Thirty, you should check them one.  Its a wonderful new rag only about a year old, grown from the Veterans Writing Project.  They accept fiction, non-fiction, visual art, and poetry from veterans.  The project also hosts free workshops around the country for veterans on writing (I would love to attend, or teach at one of these workshops some day...).

Saturday, June 22, 2013

I've Made It

Well I've finally made it- to Pacific University's Master of Fine Arts in Writing Summer Low Residency program.  

Forest Grove is a gorgeous small town about an hour west of Portland.  Situated at the base of the Oregon coastal range on the west side of the Tulatin Valley, the area is full of vineyards and farm land.  

The days are long, but exciting.  There are usually three craft talks (lectures) a day, a morning workshop looking at the nuts and bolts of student submitted work, then nightly readings by faculty in a gorgeous auditorium followed by readings by students in a local pub style atmosphere (without the beer).

My sponge was fully absorbed and spilling into the sink by the second day.  I could describe the residency here as a semester in 10 days, but that's not entirely true, because I still have a semester's worth of work ahead of me with my advisor (still to be determined).

A few more thoughts:
I'm excited about having two years to focus on my craft of writing.
I'm excited about being pushed beyond my limits to create better prose.
I'm excited about working with other writers sharing similar aspirations.
I'm excited about being part of a community that wants to see each other succeed.
I'm scared my stuff won't be good enough and the story won't be there when I want it to be.
I'm scared I'll have two years of bliss, then once the scaffolding is removed waver through the rest of life as a writer.

The End.  I mean, to be continued...  I mean, may the force be with you.


Thursday, May 2, 2013

Buenos Noches Paloma




I’m 95° degrees south of home.  Which is another way of saying I’m half way around the world.  Actually, halfway under the world, visiting a foreign land, struggling to speak a foreign language in order to help my dad cross a lifetime dream off his bucket list.  I watch my brother-in-law blow the ass-end off another Argentinean eared dove and wish the sun would set a little faster so I can go back to the Estancia and drink some more Malbec. 

“Muy bien,” the bird boy says.
“Muchas gracias,” Travis, my brother-in-law says.
From the folding lawn chair, cerveza in hand, I scan the endless cornfields and watch an infinite number of dove speed overhead.  Travis keeps the barrel pointed skyward.  His bird boy, actually a man of at least forty years, flawlessly loads more shotgun shells into the bottom breach of the twenty-gauge Benelli semi-automatic bird exterminator. Travis aims and fires again.
“Buenos noches paloma!”  The bird boy says.  Travis laughs and tracks another dove coming in low and fast across the front of the blind we’re hiding behind.  As I sip my cerveza I hear the sound of his shotgun exploding just a few feet away.  Moments later, tiny dove feathers sprinkle down upon our blind like snowflakes in a gentle winter storm. 

“Do you want to go to Argentina?”  My dad asks.
“Argentina?  I’d love to go to Argentina.”  I said.
“Your mom surprised me at that silent auction last month.  She bid on a gentlemen’s dove hunt at a lodge in Cordoba, Argentina.  It’s all inclusive, we just need to get there.”
My initial thoughts were, why travel thousands and thousands of miles away to kill something that probably lives sporadically throughout our own country- actually the winged upland bird lives throughout Virginia, North Carolina, and just about every other state in the conterminous United States.  Little did I know traveling to the southern hemisphere to shoot dove is the trip of a lifetime, an epic event in the life of any one that considers themselves hunters.
“Because there’s millions and millions of them,” my dad said. 
Actually, the population hangs around twenty million.  I was home visiting my family on summer vacation when the proposition was proposed.  A quick YouTube search showed several videos of hunters dressed in khaki and camouflage blasting shadows from the sky.  The swarms had to have contained hundreds.  Almost mechanically one swarm followed another and hunters with massive grins pointed their barrels skyward, picking doves from the swarm methodically.  Was it really this easy?
“They’re a pest.” Travis explained.  “Most American morning dove have one litter a year, Argentinean dove have four.  There is no limit to what you can shoot from the sky,” he said.
“Alaska is a long way from Argentina.” I said.  “How about next spring break?” 
 I never really kept a bucket list; instead I prefer to live my life in the bucket, and Alaska is that bucket.  But I was glad I could accompany someone else fulfilling their dream.  Despite spending the last seven years in a hunter’s Mecca, I have yet to pull the trigger on any big Alaska game.  
I never really grew up hunting.  My father was raised a hunter.  He talked a lot about hunting, but never took me hunting.  Instead of repeating a tradition of hunting in the family he taught me a different passion for the outdoors.  Almost monthly we hiked and camped throughout the foothills and crags of the Shenandoah Mountains.  We left no trace; instead taking only memories and photographs.  Coming and going through the deciduous forests I would count blaze orange dots strewn across the hillsides as our backpacks and cameras sat in the backseat.  He taught me to shoot a camera instead of a gun.  I don’t despise hunting, nor do I dislike it; I just don’t feel called to it.  Not the same way I feel called to trek quietly through a pristine forest, climb upwardly upon a rocky ridge, ski through endless powder, or pedal across wide valleys and along narrow single-track.  Argentina was a long way to go to learn how much I still love my father; maybe it was just a way of saying thank you for all the times he took me outdoors as a child. 

Bags were packed.  Boarding passes were printed.  Somewhere in between being extremely busy and very hectic I managed to slip out of Fairbanks, Alaska.  Luckily five flights would give me plenty of time to pour over my travel guide to Argentina and learn as many Spanish phrases from the books’ appendix as possible.  In aisle seat 17C I glared over two people and out the tiny window, winter slowly disappearing as we rose above the clouds.  Somewhere over the central mid-western states on my third flight spring lurked below. 
At Miami airport I met up with the crew: Travis, my brother-in-law from North Carolina; my dad and his good friend Bob, from Virginia. I could almost imagine the Argentinean dove begin to quake and quiver as we lost latitudes and Cordoba became within reach. 
International flights are like a bad hangover that won’t go away.  Cramped, tired but restless, the entire interior of the plane seems to shrink around you as you beg to the table tray in front of you for the flight to end.  Your feet swell, your breath stinks, the tiny little drinks don’t calm the sensation you get when a stewardess runs over your toes then smashes into your knee with the concession cart. The plane, a tiny blip on a cartoon map projected onto the bulkhead in front of me, moves so slowly, I stare and steadily try to will it forward.  Just when my head feels like its about to explode the plane touches down in South America.  Warm air floods the interior and everyone begins to push towards the exit hatch. 
The stewardess starts speaking Spanish.  As jet lag begins to set in, I stumble off the plane and shuffle towards customs.  Gestures and friendly glances become my primary mode of communication.  The gate clerks and customs agents, whom I assume are friendly, only briefly look at me in the midst of a long bout of Spanish that I have no recollection of.  It’s been fourteen years since I flunked out of Spanish in high school. I think this is going to be a long week. 
“What now?” I asked my dad.
“Some one is supposed to meet us here,” he said.
An extremely helpful man approached our group and somehow knew my dad’s name.  He spoke some English, enough to be dangerous. I carried my own bags. Then watched my dad get snookered into a baggage cart and bag boy, whose services I’d be surprised to see come free. 
“He knew my name,” my dad said.
“It’s on your suitcase,” I said.
I threw my pack on my back, grabbed Travis, and headed for the door.  The bag boy followed us like a lost puppy to the lobby, and despite my resignations turned out to have a clue who we were, and where we were supposed to go.  He ungrudgingly showed us out into the parking lot and safely to our driver.  Speaking just enough English to be helpful, maybe even charming (with the right group of tourists).  But, he did manage to get a small tip from my dad’s pocket.

Cordoba reminded me a lot of the mid-western United States.  There was expansive farmland filled with corn, sorghum, and soybeans growing everywhere.  It was a mixture of central California and Iowa.  Rows and rows of varied agriculture sprang from rich soil as semi-arid hills loomed in the distance.  Despite being the second largest city in Argentina, we quickly left the urban and crossed into the rural.  Small stands of trees lined the highway and separated the thoroughfare from the farmland. 
Racing northward my eyeballs struggled with my eyelids.  I wanted to see as much as possible, even along the drive to our hunting lodge. Unfortunately after forty hours in transit, my eyelids won.  I was finally jolted awake as our shuttle van drove off the paved highway and onto the dirt road leading to the Estancia del Pilar.
An Estancia is a fancy Spanish way of saying cattle ranch.  There were no cattle, so in this case it means a hunting lodge that’s dressed up to look like a ranch.  The single story buildings were a balance of boldness and simple sophistication.  White stucco walls were accented with large windows and dark hard wood.  Maroon clay tiles lay upon the floor.  Crouching through narrow entries you immediately were greeted with high ceilings.  The smell of old cigar smoked still lingered in the air.  Strong leather couches faced one another and had probably heard many stories of success and failure found in the killing fields lurking just outside the Estancia.  Before they really knew my name I was greeted with a hot towel and a whiskey.  Wandering through the parlor I imagine Ernest Hemingway smoking a cigarette and drinking gin in these very rooms, bragging of his takings from fields a continent away.  Finishing my glass of whiskey I switch to Malbec and imagine what sort of pretentiousness is required to survive here, and sustain this life of luxurious sportsmanship.
“My name is Nacho.  I will be your field guide, it’s time to go shoot some dove.” Ignacio the head guide said.
They don’t waste any time I thought.  I feel a little less like a customer and more like a warrior arriving to help a people troubled by a pesky bird.  Nacho loads us into the same van we had arrived in shortly before, and we head into the fields, with little explanation along the way. Ten minutes later the door of the van slides open and I’m prompted out.  Seconds after that a shotgun is placed in my hands and my bird boy gestures skywards.  Making a sideways L with his thumb and index finger, then slightly moving his thumb, I understand this as the international gesture to start blasting. 
A conveyor belt of little dark shadows flutters overhead.  We’ve been dropped along a dirt road; shooters are spread about fifty yards incrementally apart.  With a wall of corn to my front, I hear concussions to my right and left, the hunt has begun. The corn comes to about my face.  It is fall in Argentina and the corn must only be a few weeks from harvest.  The last time I shot anything flying through the air was seven years ago, and that was a clay florescent orange disc.  I quickly run through a couple techniques I remember.  Look down the barrel; hold your head so the bead on the end is level.  Keep the gun moving and track the barrel with the bird’s speed.  Lead slightly ahead of the flying object.  Depending on speed of flight and wind, the lead can be adjusted.  Squeeze the trigger.  Despite a thorough understanding of upland bird hunting, I continued to spray the air with number seven birdshot, and the birds continued to fly past, unscathed.
“Empty.” I said.  My bird boy quickly swooped in and easily shuffled four shells back into the shotgun.   
            “Enough of that.” I said.  He looked confused.  I grabbed one shell from his hand and put it in my pocket.  “I’ll load.” I said.  Handing me a beer was great.  Even waving fresh air across my face with a cabana leaf would be cool, but something about someone loading my gun seemed awkward.  After several years in the Army and some of them spent in combat, I like to be solely responsible for my firearm, and its ammunition.  Plus, loading my own shells, at my own pace, probably saved me hundreds of dollars in shells when it came time to cash out.   
            “Ok, SeƱor,” he said.
            All right, focus, I thought.  I’ll give this one a little more lead.  Squeeze.  Bang.
            “Bueno.” The bird boy said as the dove took a nosedive strait into the corn.  
            For the next two hours I blasted hundreds of rounds into the air. Birds would explode in a puff of feathers.   Sometimes I would see the back end separate from the body in an even bigger puff of feathers.  The really amusing ones were direct hits; those would suddenly stop and whirl out of control like a broken helicopter, spinning rapidly towards the ground. 
            By the end of our session the ground was littered with dead dove and I was standing atop a mountain of spent plastic shotgun shells.  Just as I was setting down my gun and reaching for a beer from the cooler, my dad came walking up, grinning ear to ear.
            “Wow,” he said. 
            “Yeah, that was hard,” I said.
            “You did all right,” he said, looking around and surveying the dead dove he stepped over to visit my hunting spot.           
            The van quickly pulled up and I was handed another beer from Travis already sitting inside.  I could get used to this kind of hunting I thought- a guy that wants to load your gun, a lawn chair in the shade for when you get tired of shooting an endless supply of game, a cooler full of beers, and the best part is I left the dirty gun and a mess to clean up out in the field for someone else to deal with. 
            Moments later we walked back into the Estancia.  I was handed another whiskey and freshly grilled dove was waiting to accompany the cocktails on a platter.  We flopped down in the leather chairs and immediately stories of triumph and trial filled the air.  Let the pampering begin I thought, when is dinner, I am Hemingway.

            Six hundred and sixty one dove later I was done.  One thousand four hundred and eighty two dove later, Travis was done.   Seven hundred and eighty five dove later, Bob was done.  Nine hundred and sixty eight dove later, dad was done.  I ate dove every day, but I didn’t eat three thousand eight hundred and ninety-six dove.  I ate bacon wrapped maple dove, dove dumplings, baked dove with a peppercorn and mustard sauce, dove salad, and spicy dove spaghetti.  Chancho, the feral hog, ate dove sushi every day; as did the local foxes, eagles, and millions of bugs emerging from everywhere.  Eight of our bird boys took home bags of dove for their families, and their neighbors families.  In the end, I imagine a few dove were left to decorate the cactus and that’s ok, because as long as they were dead, the farmers were happy.
            “My grandpa always talked about hunting in another country.” Travis said.  “He taught me to hunt dove right out our back door in Ashe County.  He was born and raised in western North Carolina.”
            “He would be glad you’re here.” I said.  “And someday you can teach your child to hunt the same hills, sharing stories of the time you hunted the best in the world.” 
            “I need to do this.” Travis says, and then removes the brightly colored shirt he’s been wearing for two days.  “This was my granddaddy’s”
            “Oh.” I said.
            After putting his hunting vest back over his undershirt, Travis takes several dead dove littering the ground around his shooting spot and places them in a circle from beak to tail.  Then, he folds up his grandfather’s shirt and places it in the middle.  Removing a tiny bottle full of vodka from his pocket he takes a swig and dumps the rest on the shirt.  Then, removes a book of matches from his shooting vest pocket.  Folding the first over, he strikes it upon the rough back using his thumb and forefinger. Then, tosses the book into the fire pit.  The shirt and surrounding dead birds become engulfed in flame.  I hand Travis another cerveza and we stand back to watch his grandfather’s shirt burn.
            I sit next to my dad after the hunt on the last van ride back to the Estancia.  “This has been a good trip.  Thanks for inviting me.” I say.
 He just grins his big Argentinean dove slaying grin and pats me on the back. 
I hesitate. “I hope we can keep taking trips together.” I say.  Then, I slug the rest of my beer and crush the can.  The van hits a pothole and dozens of dove flush up from a bush just to the right along the side of the road.  I watch the shadows in unison turn into the sun and flutter towards low hills lurking in the distance just above the rows of corn.
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Samuel Chamberlain doesn't normally prefer to blast small flying creatures from the sky, actually, he's been recently dabbling in absolute pacifism, and thus a trip to the Southern Hemisphere consequently resulted in falling off the wagon.  Thankfully, Hemingway would abide, and there was plenty of Malbec and Whiskey readily available. Though an opportunity to write a quest piece doing something extraordinary is always worth it.

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Photos by Jay Chamberlain and Travis Birdsell